{"title":"Rare","description":"A collection of rare and out of print STANLEY\/BARKER titles","products":[{"product_id":"dave-heath","title":"Washington Square","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn the late 50’s, New York’s Washington Square was a place of rebellion, nicknamed junkie row and described by Simone de Beauvoir as \"A cosmopolitan chorus of tourists, ‘intellectuals’, students and a dubious collection of beatniks, hippies and bohemians who gather while in the dimly lit night clubs and coffee houses, blues and folk singers perform.”\u003c\/p\u003e\n\u003cp\u003eAs a young man, the American photographer Dave Heath, created deeply expressive, candid portraits of the young people who populated the square, as well as venturing into the 7 Arts Coffee Gallery, where the infamous Beat poets: Allen Ginsberg, Gregory Corso and Jack Kerouac (who appear in the book), spent their nights giving readings of their latest works such as Ginsberg's influential poem Howl, which is included as an introduction to the book.\u003c\/p\u003e\n\u003cp\u003eThis special book began it's journey shortly before Heath sadly passed away in 2016 on his 85th birthday.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished — November 2016\u003cbr\u003eISBN — 9780995555525\u003cbr\u003ePages — 104\u003cbr\u003eIntroduction — Allen Ginsberg\u003cbr\u003eImages — 47 (Tritone)\u003cbr\u003eCover — Hardback, paper wrapped\u003cbr\u003eSize — 215mm × 275mm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"https:\/\/edition.cnn.com\/2017\/01\/11\/us\/gallery\/tbt-washington-square-beatniks-dave-heath\/index.html\"\u003eCNN\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.thecut.com\/2016\/11\/see-photos-from-the-book-washington-square-by-dave-heath.html\"\u003eThe Cut\u003c\/a\u003e \/ \u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/dave-heath-washington-square\/\"\u003eThe Eye of Photography\u003c\/a\u003e \/ \u003ca href=\"https:\/\/i-d.vice.com\/en_us\/article\/mbvjv3\/candid-portraits-of-teen-beatniks-in-50s-washington-square\"\u003eiD\u003c\/a\u003e \/ \u003ca href=\"https:\/\/metro.co.uk\/2017\/01\/14\/these-candid-pics-show-what-life-was-like-as-a-teen-beatnik-at-washington-square-in-the-1950s-6380873\/\"\u003eMetro\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.nytimes.com\/slideshow\/2016\/07\/02\/arts\/dave-heath\/s\/20160702heath-obituary-slide-4GC9.html\"\u003eNY Times\u003c\/a\u003e \/ \u003ca href=\"https:\/\/i-d.vice.com\/en_us\/article\/mbvjv3\/candid-portraits-of-teen-beatniks-in-50s-washington-square\"\u003eVice\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.we-heart.com\/2015\/09\/30\/dave-heath-multitude-solitude-at-philadelphia-museum-of-art\/\"\u003eWe Heart\u003c\/a\u003e\u003c\/p\u003e","brand":"Dave Heath","offers":[{"title":"Default Title","offer_id":44430240274,"sku":"washington-square","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/bh_DJB6518.jpg?v=1753262178"},{"product_id":"people-in-cars-mike-mandel","title":"People In Cars","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMike Mandel grew up in the San Fernando Valley, and as an kid in the 1950s could walk just about everywhere he needed to go: to school, or later down the street to the open field to collect rocks or catch lizards. All of his friends lived on his block, so he didn’t think too much about the time he spent in a car. But by the time he reached twenty in 1970, he realised how large a role the car would play in his life, and so began to photograph the inhabitants of 1970s California in their cars.\u003c\/p\u003e\n\u003cp\u003e“On a late afternoon with the light low in the west I’d regularly find my spot on the corner of Victory Blvd. and Coldwater Canyon Ave. in Van Nuys (ironically, so close to home I could easily walk there). It was a busy intersection with a wealth of cars pulling my way to make a right turn. I was using a 28mm wide angle lens on my 35mm camera, which meant that I had to get in pretty close to the window to get my shot, and when I did there would inevitably be a reaction: surprise, amusement, and on some few occasions, annoyance.”\u003c\/p\u003e\n\u003cp\u003e“In contrast to how this project might play out today, it seemed then that people enjoyed being recognised by the camera and readily participated in the playfulness of the moment. It was warm outside, the car windows were open. It was the window that framed and instilled these portraits with the language of the automobile environment.” — Mike Mandel\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished — May 2017 \u003cbr\u003eISBN — 9780995555549\u003cbr\u003eImages — 34 (Duotone)\u003cbr\u003eCover — Softback, swiss catalogue bound\u003cbr\u003eSize — 210mm × 297mm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"http:\/\/www.anothermag.com\/art-photography\/gallery\/8760\/mike-mandel-people-in-cars\/0\"\u003eAnOther \u003c\/a\u003e\/ \u003ca href=\"https:\/\/edition.cnn.com\/2017\/05\/17\/us\/gallery\/people-in-cars-mike-mandel\/index.html\"\u003eCNN\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.standard.co.uk\/lifestyle\/books\/the-photographer-who-captured-people-driving-in-la-in-the-seventies-a3538021.html\"\u003eThe Evening Standard\u003c\/a\u003e \/ \u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/mike-mandel-people-in-cars\/\"\u003eThe Eye of Photography \u003c\/a\u003e\/ \u003ca href=\"https:\/\/www.ft.com\/content\/24e30278-3645-11e7-99bd-13beb0903fa3\"\u003eFT\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2017\/may\/09\/mike-mandel-people-in-cars-photography-los-angeles\"\u003eGuardian\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/mike-mandel-cars\"\u003eIt's Nice That \u003c\/a\u003e\/ \u003ca href=\"https:\/\/www.joseph-fashion.com\/en-gb\/joseph-curates\/obsessions\/mike-mandel-people-in-cars\/34.html\"\u003eJoseph\u003c\/a\u003e \/ \u003ca href=\"https:\/\/photoworks.org.uk\/interview-mike-mandel\/\"\u003ePhotoworks\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.nytimes.com\/2017\/04\/26\/t-magazine\/art\/mike-mandel-people-cars-book-sfmoma.html\"\u003eNY Times\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.nytimes.com\/slideshow\/2017\/04\/26\/t-magazine\/mike-mandels-people-in-cars.html\"\u003eT Magazine\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.vice.com\/en_uk\/article\/z4jvpj\/a-glorious-glimpse-of-1960s-la\"\u003eVice\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.we-heart.com\/2017\/06\/15\/mike-mandel-people-in-cars\/\"\u003eWe Heart\u003c\/a\u003e\u003c\/p\u003e","brand":"Mike Mandel","offers":[{"title":"Default Title","offer_id":44430354514,"sku":"people-in-cars","price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/DJB6521_f99a92ff-2bb2-46a5-9142-8cbf5a221c39.jpg?v=1751624384"},{"product_id":"morgue-jeffrey-silverthorne","title":"Morgue","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn 1972 Silverthorne was twentyfive, was four years married, his second child had just been born, and the Vietnam War was still flowering death. Change and death were in the air, and the Morgue was where Silverthorne could find physical evidence of this feeling.\u003c\/p\u003e\n\u003cp\u003eAfter proposing a documentary project to the state’s Attorney General, he to Silverthorne’s surprise, said yes. A corpse is sent to the state morgue if there are unknown or violent circumstances surrounding the death. Over time the project evolved into anything but a documentary, it became a portrait of dreams and failures, a residue of realities a residue of realities all rendered by Silverthorne with complete respect and total disregard.\u003c\/p\u003e\n\u003cp\u003e“I can die in a moment, a crossing of borders. Death unpins and locks, time is measured and marked. For the living, personal considerations explode and drift to every feeling, while public regulations constrict and sentimentalise this unique and ordinary change. My parents died when I was young and in large part I went to the morgue looking for them. I did find them, many years later, in my heart.”\u003c\/p\u003e\n\u003cp\u003eA special edition including a signed 8x10 silver print is also available in an edition of 15, priced £250.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished — September 2017 \u003cbr\u003eISBN — 9780995555563 \u003cbr\u003eImages — 22 (Duotone) \u003cbr\u003eCover — Soft back, Singer Sewn, Foil stamped\u003cbr\u003eSize — 210mm × 267mm\u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"http:\/\/www.americansuburbx.com\/2017\/10\/jeffrey-silverthorne-the-suture-that-binds-us.html\" target=\"_blank\"\u003eAmerican Suburb X\u003c\/a\u003e \/ \u003ca href=\"https:\/\/geoscripts.meredith.services\/public\/html\/no-access.html\" target=\"_blank\"\u003eTime\u003c\/a\u003e \u003c\/p\u003e","brand":"Jeffrey Silverthorne","offers":[{"title":"Default Title","offer_id":45840927826,"sku":"Morgue","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/DJB6525_418a5848-dd9f-4ffe-954d-dc0a5420bbef.jpg?v=1751624808"},{"product_id":"novokuznetsk-nikolay-bakhrev","title":"Novokuznetsk","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDuring the 1980s by the Siberian artist Nikolay Bakharev worked as a mechanic and communal services factory photographer in the USSR. To supplement his income he would solicit work as a black market portrait photographer on the public beaches of Eastern Russia. If the shoot went well, he would invite his subjects to make further images in a more intimate setting, compelling his subjects over several hours into contorted, erotically charged poses, which at the time was highly illegal.\u003c\/p\u003e\n\u003cp\u003eAfter the the fall of the Iron Curtain, Bakharev began to work more openly as an artist, although often being admonished as a pornographer. His photographs from this time reveal more than just the bodies of his subjects, but the longing and dampened dreams of the inhabitants of an industrial town and the desires of an unrelenting artist.\u003c\/p\u003e\n\u003cp\u003e\"It would be easy to misinterpret these images as simply the pornographic imaginings of a manipulative and dirty old man, yet there is something else within them — in the subjects’ eyes, in their frankness, in their curiosity and collusion, as well as in their surroundings – that suggests that much more is going on here, and that what is both at stake and in evidence stretches far beyond the realms of explicit sexuality, voyeurism and mere titillation.\" — Aaron Schuman\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished — November 2016\u003cbr\u003eISBN — 9780995555518\u003cbr\u003ePages — 120 + 8 page booklet\u003cbr\u003eEssay — Aaron Schuman\u003cbr\u003eCover — Hardback, Paper Wrapped, Tipped-on Image\u003cbr\u003eSize — 240mm × 270mm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/nikolay-bakharev-novokuznetsk-publication-020218\"\u003eIt's Nice That\u003c\/a\u003e \/ \u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/nikolay-bakharev-novokuznetsk\/\"\u003eThe Eye of Photography\u003c\/a\u003e \u003c\/p\u003e","brand":"Nikolay Bakharev","offers":[{"title":"Default Title","offer_id":45840968210,"sku":"novokuznetsk","price":105.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/n1.jpg?v=1747328092"},{"product_id":"fifteen-miles-to-k-ville-mark-steinmetz","title":"Fifteen Miles to K-Ville","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eMark Steinmetz ‘15 Miles to K-Ville’ is a poetic journey around the outskirts of K-Ville: a fictional town somewhere between Knoxville, Tennessee and Athens, Georgia, where graves dot the terrain and a sense of forbidding hangs heavy in the air.\u003c\/p\u003e\n\u003cp\u003eThis collection of darkly humorous and melancholy portraits and landscapes date from the early 1990s when the American photographer was moving between these two cities.\u003c\/p\u003e\n\u003cp\u003eI love the South for its warmth and chaos. The vegetation down here grows rampant; the light is softened by humid air. The people are for the most part friendly and they are comfortable in their bodies. They tend to be more open to being photographed by a stranger. The unexpected happens here a lot. — Mark Steinmetz\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePublished — November 2016\u003cbr\u003eISBN — 9780956992291\u003cbr\u003ePages — 100\u003cbr\u003eImages — 26 (Duotone)\u003cbr\u003eCover — Soft back, Dust jacket, Silver foil\u003cbr\u003eSize — 270mm × 210mm\u003c\/p\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":45840977490,"sku":"fifteen-miles-to-k-ville","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/5_853bfdc0-32ce-474b-a068-0dc49411b052.jpg?v=1747328039"},{"product_id":"luzzara-stephen-shore","title":"Luzzara","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn 1993 world renowned photographer Stephen Shore travelled to Luzzara, a comune in the province of Reggio Emilia, Italy. Here Shore photographed the town’s people, streets and squares, just as another American master, Paul Strand had done forty years earlier, when he produced the seminal book Un Paese with the Italian screenwriter of The Bicycle Thieves Cesare Zavattini.\u003c\/p\u003e\n\u003cp\u003eSTANLEY\/BARKER has revisited Shore’s series with an exquisitely produced limited edition publication of Luzzara, which includes a number never before seen photographs.\u003c\/p\u003e\n\u003cp\u003eSpeaking of his purpose Shore said, \"There was no way I could approach Luzzara as though I was not familiar with Strand's work. At the same time, even though I was going to Luzzara exactly forty years after Strand, I was not interested in producing a re-photographic survey. In a certain way, Strand's work does not need simple updating, because the kinds of people and farms and landscapes he photographed still exist in very much the same form today. But, they exist side by side with the modern world. A key feature of Italian life, at least to my New World eyes, is the presence of the traditional within the modern. My aim, then, was to produce a companion volume to Un Paese; to produce a group of pictures, which to the limit of the subjectivity of my vision, supplement Strand's work.\"\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished — May 2016\u003cbr\u003eISBN — 9780956992284\u003cbr\u003ePages — 80\u003cbr\u003eImages — 29 (Duotone)\u003cbr\u003eCover — Paper-wrapped Hardback, Foil stamped with Tipped-in image\u003cbr\u003eSize — 240mm × 300mm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"http:\/\/www.bjp-online.com\/2016\/06\/stephen-shores-italy\/\"\u003eAnOther\u003c\/a\u003e \/ \u003ca href=\"http:\/\/www.bjp-online.com\/2016\/06\/stephen-shores-italy\/\"\u003eBJP\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.nytimes.com\/2016\/06\/13\/t-magazine\/art\/stephen-shore-italy-photography-book.html\"\u003eNY Times \u003c\/a\u003e\/ \u003ca href=\"https:\/\/www.wallpaper.com\/art\/stephen-shore-publishes-never-before-seen-photographs-from-luzzara-series-in-new-book\"\u003eWallpapaer\u003c\/a\u003e \u003c\/p\u003e","brand":"Stephen Shore","offers":[{"title":"Default Title","offer_id":45841007250,"sku":"Luzzara","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/1-18.jpg?v=1757432224"},{"product_id":"on-a-good-day-al-vandenberg","title":"On A Good Day","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePerhaps best known as a collaborator on the legendary Beatles album cover for Sgt Pepper’s Lonely Hearts Club Band, Al Vandenburg’s first monograph ‘On a Good Day’ brings together his London street portraits from the 1970 — 80’s capturing the decades the style, mood and tone.\u003c\/p\u003e\n\u003cp\u003eIn his afterward for the book Martin Barnes, Senior Curator of the V\u0026amp;A, notes that ‘Vandenberg sees all this with a sincere and perceptive eye and a sensitive understanding of character, regardless of social standing and cultural background... Every picture in this book is imbued with a positive, uplifting intention. He was gifted with somehow being able to strike a rapport with, and feel empathy for, his subjects almost instantly.”\u003c\/p\u003e\n\u003cp\u003e‘It’s a great time being young, with your whole life ahead of you. It’s a time for love, hope, dreaming, great creativity. It’s a time away from home, breaking free from parents, home, creating freedom. You feel you can be anything and do anything. The future looks very positive.’ — Al Vandenberg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished — May 2016\u003cbr\u003eISBN — 9780956992277\u003cbr\u003ePages — 52\u003cbr\u003eImages — 50 (Duotone)\u003cbr\u003eCover — Paper-wrapped Hardback, Foil stamped \u0026amp; Printed\u003cbr\u003eSize — 180mm × 280mm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"http:\/\/www.anothermag.com\/art-photography\/gallery\/8047\/al-vandenberg-on-a-good-day\/1\"\u003eAnOther \u003c\/a\u003e\/ \u003ca href=\"https:\/\/www.thecut.com\/consent.html?redirect_uri=%2F2016%2F05%2Fal-vandenberg-on-a-good-day-london-street-style%2Fslideshow%2F2016%2F05%2F12%2Fal_vandenberg_onagoodday%2F%3Fvia%3Dgdpr-consent\u0026amp;redirect_host=www.thecut.com\u0026amp;orig_qs=\"\u003eThe Cut \u003c\/a\u003e\/ \u003ca href=\"https:\/\/www.creativeboom.com\/inspiration\/on-a-good-day-al-vandenberg-captures-the-style-mood-and-tone-of-1970-80s-london\/\"\u003eCreative Boom\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.bbc.co.uk\/news\/in-pictures-36301041\"\u003eBBC\u003c\/a\u003e \/ \u003ca href=\"http:\/\/www.dazeddigital.com\/photography\/article\/31187\/1\/the-photo-book-celebrating-ethnic-diversity-on-the-streets\"\u003eDazed\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.nytimes.com\/2016\/06\/29\/t-magazine\/art\/al-vandenberg-photographs-london.html\"\u003eNY Times\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.somethingaboutmagazine.com\/past-streets-of-london-al-vandenbergs-on-a-good-day\/\"\u003eSomething About\u003c\/a\u003e \/ \u003ca href=\"http:\/\/www.sixteenjournal.com\/al-vandenberg-on-a-good-day\/\"\u003eSixteen\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.we-heart.com\/2016\/04\/28\/al-vandenberg-good-day-stanley-barker\/\"\u003eWe Heart\u003c\/a\u003e\u003c\/p\u003e","brand":"Al Vandenberg","offers":[{"title":"Default Title","offer_id":45841027730,"sku":"on-a-good-day","price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/DJB6494_65c10084-4c4a-4015-bd23-9d72e4a393c7.jpg?v=1751631524"},{"product_id":"particle-mist-bill-henson","title":"Particle Mist","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eParticle Mist draws together works from three of Bill Henson’s earliest photographic series: ’Untitled 1974’, ‘Untitled 1975’ with additional previously unseen photographs from an unfinished work begun in 1976. Together they form a portrait of an artist as a young man, which has now been published as a beautiful artist’s monograph by STANLEY\/BARKER, with support from Tolarno Galleries.\u003c\/p\u003e\n\u003cp\u003eThe series shows Henson’s recognised and celebrated style, capturing the delicacy, magnetism and celestial nature of the ballerinas, that is both bewitching and disturbing. When photographing the dancers, Henson found himself fascinated by the faces, which were ‘lost to the world, absorbed in the dance’. He was drawn to the idea of a spirit of an individual in a space.\u003c\/p\u003e\n\u003cp\u003eThe elegant cover illustration is a commissioned arrangement of three songs from Tchaikovsky’s Swan Lake, adapted into a musical maze which is based on a 14th Century scribe’s version of the French ballade titled En la maison Dedalus. Each of the three arrangements corresponds to one of the ‘acts’ or chapters within the book.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished — November 2015\u003cbr\u003eISBN — 9780956992253\u003cbr\u003ePages— 20 uncoated, 120 coated\u003cbr\u003eImages — 58 Photographs, 4 Illustrations\u003cbr\u003eCover — Cloth-bound hardback, with printed dust jacket\u003cbr\u003eSize — 240mm × 300mm\u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"http:\/\/www.10magazine.com.au\/blog\/bill-hensons-new-book-particle-mist\/\"\u003e10\u003c\/a\u003e \/ \u003ca href=\"http:\/\/www.anothermag.com\/art-photography\/gallery\/7732\/particle-mist-by-bill-henson\/0\"\u003eAnOther\u003c\/a\u003e \/ \u003ca href=\"http:\/\/www.theglassmagazine.com\/en-la-maison-dedalus\/\"\u003eGlass\u003c\/a\u003e \/ \u003ca href=\"http:\/\/hero-magazine.com\/article\/50039\/bill-henson-releases-a-bewitching-new-photobook-that-captures-young-dancers-lost-in-their-art\/\"\u003eHero\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.smh.com.au\/national\/particle-mist-new-book-of-photographer-bill-hensons-early-work-20160129-gmgnft.html\"\u003eSydney Morning Herald \u003c\/a\u003e\u003c\/p\u003e","brand":"Bill Henson","offers":[{"title":"Default Title","offer_id":45841052562,"sku":"particle-mist","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/DJB6513_a00343b2-8dfe-456b-95bd-b3e655be423c.jpg?v=1751624155"},{"product_id":"1985-bill-henson","title":"1985","description":"\u003cp\u003eAt the age of 33, one of Australia’s foremost artists, Bill Henson, produced some of the most evocative portraits and powerful dreamscapes of his career. Now nearly 30 years on STANLEY\/BARKER has published this transcendental body of work for the first time.\u003c\/p\u003e\n\u003cp\u003eShot at dawn or dusk, in the suburbs of Melbourne, Australia, and in the deserts of Egypt, 1985 with its glimpses of faces, figures and places marks the moment when Bill Henson’s long-held desire to find a form for ‘the dream of suburbia’ was realised. Describing this process, Henson says, “I began to realise that these places could be understood as a dreamscape because they affect us so powerfully and with such immediacy as a memento mori. The light, smell, even temperature, as well as the look of these places, animates our memory and gently sharpens our sense of the passage to time.”\u003c\/p\u003e\n\u003cp\u003eCombining photographs of ancient Egypt, with Suburban Melbourne, Henson creates an imaginary world, that shows “the suburban landscape as an interior world that each of us carries around inside us, like childhood, for the rest of our lives.” The photographs in this series are imbued with a sense of unreality. As night falls and we begin to rely upon the heightening sensitivity of our other senses, and as we navigate the darkness, through touch, smell, temperature and sound, and the projections of our imagination into this ambiguous space in which we find ourselves. Just occasionally, this might reintroduce us to the deep mystery of the world.\u003cbr\u003e\u003cbr\u003ePublished — November 2014\u003cbr\u003eISBN — 9780956992222\u003cbr\u003ePages — 146\u003cbr\u003eImages — 115\u003cbr\u003eCover — Soft back \/ Silkscreened\u003cbr\u003eSize — 200mm × 240mm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"http:\/\/www.1000wordsmag.com\/bill-henson\/\"\u003e1000 Words\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.americansuburbx.com\/2015\/06\/bill-henson-interview-2015.html\"\u003eAmerican Suburb X \u003c\/a\u003e\/ \u003ca href=\"http:\/\/hero-magazine.com\/article\/31501\/bill-hensons-dark-dimension-the-iconic-photographer-reflects-on-suburban-dreamscapes-and-the-worlds-we-create\/\"\u003eHero\u003c\/a\u003e \u003c\/p\u003e","brand":"Bill Henson","offers":[{"title":"Default Title","offer_id":45841090962,"sku":"1985","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/DJB6544_9cdf054f-2ce4-47ab-bb8a-2cad63e527f9.jpg?v=1751624324"},{"product_id":"kindertotenlieder","title":"Kindertotenlieder","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eIn an outpouring of grief after the death of his children from scarlet fever in 1833, German poet Friedrich Rückert wrote 428 poems on the deaths of children. 70 years later the composer Gustav Mahler was so moved by these poems, he began work on a song cycle eventually scoring five of the poems. Although chastised by his wife Alma for tempting fate as they had two young daughters of their own, Mahler completed the cycle in the summer of 1904. Three years later — a year of ‘sorrow and dread’ as Alma Mahler described 1907 — Mahler’s eldest daughter died from scarlet fever during the summer holidays at their house in Maiernigg. Mahler closed up the house and fled — never to return.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eIn 1976 Bill Henson began work on a series of works inspired by Rückert’s poems and by Mahler’s \u003ci\u003eKindertotenlieder\u003c\/i\u003e. He continued to work on this series for 40 years, drawing together evocative dreamscapes of the forest and lake at Maiernigg, the composing hut Mahler had built deep in the forest and the family’s house on the shores of the Wörthersee, combining these works with the spectre of a young girl. Together these images present a beautiful and sustained meditation on longing and loss.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003ePresented as a limited edition hand bound slip case, \u003ci\u003eKindertotenlieder\u003c\/i\u003e includes a volume of Henson’s photographs and Rückert’s poems printed with a letter press, as well as a 12” record of the Mahler song cycle performed by the Israel Philharmonic with Janet Baker and conducted by Leonard Bernstein.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eISBN — 9780995555525\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003eEdition — 150\u003cbr\u003e Pages — 16 Letter press \/ 64 Offset \u003cbr\u003e Images — 32\u003cbr\u003e Details — Foil stamped slipcase \/ Hard back book \/ 12\" Vinyl record\u003cbr\u003e Size — 305x381mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Bill Henson","offers":[{"title":"Default Title","offer_id":161499119634,"sku":"kindertotenlieder","price":1000.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/KINDER.jpg?v=1747327823"},{"product_id":"stilled","title":"Stilled","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdward Dimsdale is a master printmaker who over the past three decades has explored and adapted historical methods of photographic print making to produce breathtakingly beautiful, emotionally charged photographs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eDimsdale's book \u003ci\u003eStilled\u003c\/i\u003e shares something with the Haiku, which often presents three elements: something permanent, something ephemeral, and what happens in the moment when they come together.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe starting point for Dimsdale’s analogue prints is often something very simple, a detail, a moment, a gesture. It could be as particular as a glance from a trainee Geisha or the barren branches of a tree against a winter sky.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eOnce in the darkroom, Dimsdale undertakes a complex procedure to try to recapture something of the sensation he felt while making the photograph. From a film negative, he makes a series of paper inter-negatives, a technique that degrades certain aspects of the image, whilst enhancing others — a contemporary refinement of a historical method, rather like photocopying a photocopy.\u003cbr\u003e\u003cbr\u003eISBN — 9780995555570\u003cbr\u003e\u003c\/span\u003eEdition — 750\u003cbr\u003ePages — 24\u003cbr\u003eImages — 24\u003cbr\u003eCover — Newsprint \/ Foil stamped sticker\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003eSize — 400x578mm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Edward Dimsdale","offers":[{"title":"Default Title","offer_id":910222819346,"sku":"stilled","price":150.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/DJB8103.jpg?v=1755262804"},{"product_id":"the-last-hurrah","title":"The Last Hurrah","description":"\u003cp\u003e\u003cspan\u003eAfter winning a prize in a photography competition run by The Sunday Times magazine in 1981 with a set of pictures of the ‘Bright Young Things’, British photographer Dafydd Jones was hired by, bible of the upper crust, Tatler magazine to photograph the Hunt Balls, society weddings and debutante dances of the British upper class season, and would continue to do so until 1989.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I had access to what felt like a secret world. It was a subject that had been written about and dramatised but I don’t think any photographers had ever tackled before. There was a change going on. Someone described it as a ‘last hurrah’ of the upper classes.” -  Dafydd Jones\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003eThis publication will be  released to coincide with an exhibition at the Print Sales Gallery at the Photographers' Gallery in London from 3rd August to 8th September 2018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e- Tabloid\u003cbr\u003e- 24 pages\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePress\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.anothermag.com\/art-photography\/11067\/the-photographer-who-captured-decades-of-debauched-high-society-parties\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eAnOther\u003c\/a\u003e \/ \u003ca href=\"http:\/\/www.bjp-online.com\/2018\/08\/dafydd-jones-last-hurrah\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eBJP\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.creativeboom.com\/inspiration\/revealing-photographs-by-dafydd-jones-show-a-secret-party-world-of-the-upper-classes\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eCreative Boom\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.creativereview.co.uk\/dafydd-jones-the-last-hurrah-on-view-at-the-photographers-gallery\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eCreative Review\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2018\/aug\/06\/dafydd-jones-the-last-hurrah-in-pictures\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGuardian\u003c\/a\u003e \/  \u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2018\/aug\/08\/dafydd-jones-best-photograph-burning-boat-race-rowers-oriel-oxford-university\"\u003eGuardian: My Best Shot \u003c\/a\u003e\/ \u003ca href=\"http:\/\/hero-magazine.com\/article\/129979\/the-tatler-years-dafydd-jones-on-his-photographs-of-britains-partying-aristocracy\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eHero\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.huckmag.com\/art-and-culture\/photography-2\/pictures-of-really-really-rich-people-getting-drunk\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eHuck\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.tatler.com\/article\/book-of-the-week-the-last-hurrah-by-dafydd-jones\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eTatler\u003c\/a\u003e \/ \u003ca href=\"https:\/\/tankmagazine.com\/tank\/2018\/08\/dafydd-jones\/\"\u003eTank\u003c\/a\u003e \/ \u003ca href=\"https:\/\/www.thetimes.co.uk\/article\/interview-dafydd-jones-the-society-photographer-on-why-bling-is-king-vqcfnzl0b\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eThe Times\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Dafydd Jones","offers":[{"title":"Default Title","offer_id":12293391745136,"sku":"the-last-hurrah","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/DJB4153.jpg?v=1757432173"},{"product_id":"approximate-joy","title":"Approximate Joy","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eChristopher Anderson’s photographs portray a contemporary China in the midst of perpetual reinvention.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eI have seen the future and it is now and it is China. There is no need for the past. It can be erased. A new happiness is being constructed, an approximation of joy, better than the real thing.\u003c\/em\u003e” - Christopher Anderson \u003c\/p\u003e\n\u003cp\u003eThe images are tightly cropped and extremely close up, bringing the viewer to an intimate distance where all context is removed, except for the ambient artificial light that illuminates the faces, giving only the sensual information of the physical form allowing  the viewer the indiscreet pleasure of staring at another human  face and wondering who the individual might be or what they might be thinking about at the  moment of the photograph. These photographs are not a documentary about what people do. Rather they are a search for connection and recognition of self.\u003c\/p\u003e\n\u003cp\u003eChristopher Anderson is a member of Magnum Photos. He first gained recognition in 1999 when his poignant images of the  rescue of Haitian refugees taken onboard a sinking wooden boat named the “Believe in God” won him the Robert Capa Gold Medal.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished — First edition September 2018, Second edition December 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN — \u003c\/span\u003e\u003cspan\u003e978-0-9955555-9-4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 120\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages — 68 (CMYK)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Hardback, paper wrapped, Silk screened\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eDesign \u003cspan\u003e—\u003c\/span\u003e Eike König and Colophon Foundry\u003cbr\u003e\u003cspan\u003eSize — 300x255mm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003ePress: \u003ca href=\"http:\/\/www.americansuburbx.com\/2018\/10\/christopher-anderson-manic-compression-high-definition-society.html\"\u003eAmerican Suburb X\u003c\/a\u003e, \u003ca href=\"https:\/\/www.creativeboom.com\/inspiration\/approximate-joy-christopher-andersons-ethereal-portraits-depicting-contemporary-china\/\"\u003eCreative Boom\u003c\/a\u003e, \u003ca href=\"https:\/\/www.newyorker.com\/culture\/photo-booth\/the-anxious-hopeful-faces-of-young-people-in-shenzhen-china\" target=\"_blank\"\u003eThe New Yorker\u003c\/a\u003e, \u003ca href=\"https:\/\/www.magnumphotos.com\/arts-culture\/society-arts-culture\/christopher-anderson-approximate-joy\/\"\u003eMagnum Photos\u003c\/a\u003e, \u003ca href=\"https:\/\/www.photobookstore.co.uk\/blog\/photobook-reviews\/approximate-joy-by-christopher-anderson-reviewed-by-robin-titchener\/\" target=\"_blank\"\u003ePhotobook Store Magazine\u003c\/a\u003e, \u003ca href=\"http:\/\/photographyofchina.com\/blog\/christopher-anderson\"\u003ePhotography of China\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Christopher Anderson","offers":[{"title":"Default Title","offer_id":12691631046768,"sku":"APPROXIMATE-JOY","price":450.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/54.jpg?v=1747327922"},{"product_id":"bill-henson","title":"Sic Transit","description":"\u003cp\u003e\u003cspan\u003eBill Henson’s \u003c\/span\u003e\u003cspan class=\"s2\"\u003eSic Transit\u003c\/span\u003e\u003cspan class=\"s3\"\u003e \u003c\/span\u003e\u003cspan\u003epresents the panorama of a world shadowed by the images and memories of the past. Two boys wrestle like an act of love, an act of wonder. A face that could be the face of a girl or boy looms in the bewilderment of passion or preoccupation. Bodies tussle and are at peace. There is an effortless knowledge of the body as window of the soul but also a sense of the inscrutable, of that which\u003c\/span\u003e\u003cspan\u003e is beyond time, though at every point time is echoed in immemorial gesture as an adolescent looks at his foot, as a temple beckons and glows in soft light, as a \u003c\/span\u003e\u003cspan class=\"s3\"\u003eremembrance\u003c\/span\u003e\u003cspan\u003e of other \u003c\/span\u003e\u003cspan class=\"s3\"\u003eand \u003c\/span\u003e\u003cspan class=\"s3\"\u003eolder\u003c\/span\u003e\u003cspan\u003e ways of imagining. This is an art of shadows and whispers and things known far off. It is a set of images haunted by the spectres of the past\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s3\"\u003eeven as \u003c\/span\u003e\u003cspan\u003eit uses the grammar of the body finding \u003c\/span\u003e\u003cspan class=\"s3\"\u003eits\u003c\/span\u003e\u003cspan\u003e way in \u003c\/span\u003e\u003cspan\u003edarkness and touches of light\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"s3\"\u003eIt\u003c\/span\u003e\u003cspan\u003e is an art full o\u003c\/span\u003e\u003cspan\u003ef the distanced golden glow of \u003c\/span\u003e\u003cspan\u003ethe classical and especially the Roman past which also pays homage to\u003c\/span\u003e\u003cspan\u003e the sublimity\u003c\/span\u003e\u003cspan\u003e of Rembrandt\u003c\/span\u003e\u003cspan\u003e’s \u003c\/span\u003e\u003cspan class=\"s3\"\u003e“\u003c\/span\u003e\u003cspan class=\"s3\"\u003eProdigal Son\u003c\/span\u003e\u003cspan class=\"s3\"\u003e”\u003c\/span\u003e\u003cspan\u003eand the depth of compassion it radiates. But in this sequence of photographs Henson reveals the world \u003c\/span\u003e\u003cspan\u003eof ways in which history is shaded and comes to fade. And so it passes: Henson captures the glory of the world of images as it does. \u003c\/span\u003e\u003cspan\u003eIt also honors the \u003c\/span\u003e\u003cspan\u003eways in\u003c\/span\u003e\u003cspan\u003e which\u003c\/span\u003e\u003cspan\u003e every novice’s discovery traces an ancient ritual and notates an enduring dream. \u003c\/span\u003e-Peter Craven\u003c\/p\u003e\n\u003cp\u003eMade in collaboration with Roslyn Oxley9 Gallery and Tolarno Galleries \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn artist edition including a 10x8 print is available\u003cstrong\u003e \u003ca href=\"https:\/\/www.stanleybarker.co.uk\/collections\/special-editions\/products\/sic-transit-artist-edition\"\u003ehere\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished — 2nd December 2020\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN — 978-1-913288-17-4\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 164\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Hard back \/ slipcase \/ dust jacket \/ blind stamped \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize — 31x30cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bill Henson","offers":[{"title":"Default Title","offer_id":12734695997552,"sku":"Sic-Transit","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/HHHs.jpg?v=1753269357"},{"product_id":"christopher-street-1976","title":"Christopher Street, 1976","description":"\u003cp\u003eWhile studying at the New School, New York, under the legendary Lisette Model Sunil Gupta would spend his weekends cruising on Christopher Street with his camera. It was the heady days after Stonewall and before AIDS when Gupta and his peers were young and busy creating a gay public space that hadn’t been seen before.\u003c\/p\u003e\n\u003cp\u003e“I came to photography in the early 1970s. What was initially just a hobby quickly found a purpose in the fledgling gay liberation movement, documenting gay rights marches as well as the burgeoning gay scene. In retrospect these pictures have become both nostalgic and iconic for a very important moment in my personal history.” - Sunil Gupta\u003c\/p\u003e\n\u003cp\u003eBorn in New Delhi and now living in London, Sunil Gupta is an artist, writer and activist. He has a MA in Photography from the Royal College of Art, and is currently studying towards a doctorate at the University of Westminster. Gupta’s work has been seen in over 90 international solo and group exhibitions.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChristopher Street, 1976\u003c\/em\u003e has been nominated for The Aperture Paris Photo book award, the Lucie Photo book Prize and Les Rencontres d'Arles book Award.\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cspan\u003ePublished — 20th November 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN — 9781916410688\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 100\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages — 50 (Duotone)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003eDesign \u003cspan\u003e— The Entente\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Spiral Bound, Foil Stamped, Silk Screened\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize — 294 x 223mm\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cspan\u003ePress:\u003ca href=\"http:\/\/www.anothermanmag.com\/life-culture\/gallery\/9284\/christopher-street-by-sunil-gupta\/1\"\u003e AnOther\u003c\/a\u003e,\u003ca href=\"https:\/\/www.creativereview.co.uk\/sunil-guptas-photos-celebrate-the-gay-scene-in-1970s-new-york\/\"\u003e AnOther Man, Creative Review, Creative Boom, Eye of Photography\u003c\/a\u003e, \u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2018\/dec\/05\/sunil-gupta-best-photograph-gay-cruising-new-york-christopher-street\"\u003eGuardian\u003c\/a\u003e, \u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sunil Gupta","offers":[{"title":"Default Title","offer_id":12735829344368,"sku":"Christopher-street","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/OLDOPGFD.jpg?v=1753366532"},{"product_id":"past-k-ville","title":"Past K-Ville","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e \u003cspan\u003eMark Steinmetz’s \u003ci\u003ePast K-Ville\u003c\/i\u003e continues the poetic journey that began in \u003ci\u003e15 Miles to K-Ville\u003c\/i\u003e. This new collection of photographs dates from the mid-1990s and was made on road trips throughout the American South: Memphis, Atlanta, New Orleans, Chattanooga, and Athens, Georgia. Spray-painted rumours of romance punctuate a world comprised largely of teenagers and young couples. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eThe work was made while Steinmetz received support from a Guggenheim Fellowship.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"\u003cem\u003eI love the South for its warmth and chaos. The vegetation down here grows rampant; the light is softened by humid air. The people are for the most part friendly and they are comfortable in their bodies. They tend to be more open to being photographed by a stranger. The unexpected happens here a lot.\u003c\/em\u003e\" - Mark Steinmetz\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003eISBN — \u003cspan\u003e978-1-9164106-2-6\u003c\/span\u003e\u003cbr\u003ePages — 128\u003cbr\u003eImages — 62 (Duotone)\u003cbr\u003eCover — Hardback, Dustkacket\u003cbr\u003eSize — 270x250mm\u003cbr\u003ePublished — 20th October\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003ePAST K-VILLE is another masterpiece. The best book to cross my path in ages.\" - Alec Soth \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"http:\/\/www.anothermag.com\/art-photography\/11267\/photographs-capturing-the-warmth-and-chaos-of-the-american-south\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eAnOther\u003c\/a\u003e, \u003ca href=\"http:\/\/paper-journal.com\/mark-steinmetz-past-k-ville\/#.W_lbjS2cbUI\"\u003ePaper Journal\u003c\/a\u003e\u003c\/p\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":14054941950064,"sku":"Past-K-ville1","price":400.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/jkbg.jpg?v=1753359709"},{"product_id":"acropolis","title":"On the Acropolis","description":"\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003eIn 1983- 84 Tod Papageorge spent a month each summer on the Acropolis in Athens, producing a body of work that seems lost in time, fusing the ancient\u003cbr\u003ewith the modern. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“I stayed at a nice hotel, the Zafolia, five minutes from the Acropolis, where every surface in my room was marble, and where I did laps in the pool every\u003cbr\u003eevening, driving the hotel staff crazy. I usually ate lunch at a vegetarian restaurant in the Plaka, right under the Parthenon. I just liked the food. Have no memory at all of where I’d go for dinner. Very solitary the whole time. That was it: up The Hill in the morning, down for lunch, usually back up for more after that, then a swim and dinner somewhere nearby.” - Tod Papageorge\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eISBN —\u003c\/span\u003e\u003cspan\u003e 978-1-913288-02-0\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 12\u003c\/span\u003e\u003cspan\u003e8\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages — \u003c\/span\u003e\u003cspan\u003e81\u003c\/span\u003e\u003cspan\u003e (tritone)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — OTA, Foil stamped\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize —\u003c\/span\u003e\u003cspan\u003e 300 x 240 mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Tod Papageorge","offers":[{"title":"Default Title","offer_id":17176943525939,"sku":"","price":75.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/products\/1_f5dbbe7a-9b25-448b-a12a-80cc96682331.jpg?v=1571759895"},{"product_id":"carnival","title":"Carnival","description":"\u003cp\u003eFrom 1982-2001 the American photographer Mark Steinmetz travelled to country fairs, urban street carnivals, and small circuses across the United States, to make photographs of the families, teens and carnies that contain all the warmth and frenetic energy of a day at the Carnival. \u003c\/p\u003e\n\u003cp\u003e“People from all walks of life go to the fair seeking something to transport them from the everyday. Amid the excitement and sounds of the rides and\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003egames, I could slip by largely unnoticed and capture gestures and faces.” - Mark Steinmetz\u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"https:\/\/www.google.co.uk\/amp\/s\/amp.ft.com\/content\/45d47094-fa82-11e9-a354-36acbbb0d9b6\"\u003eFT\u003c\/a\u003e, \u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/gallery\/2019\/nov\/14\/carnival-capturing-all-the-fun-of-the-fair-across-the-us-in-pictures?CMP=Share_iOSApp_Other\"\u003eGuardian\u003c\/a\u003e  \u003c\/p\u003e\n\u003cp\u003eISBN — \u003cspan\u003e978-1-913288-04-4\u003c\/span\u003e\u003cbr\u003ePages — 148\u003cbr\u003eImages — 91 (Duotone + PMS)\u003cbr\u003eCover — Hardback, Overprinted Silk Screen, Chopped Boards\u003cbr\u003eSize — 310x 287mm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":30938257031307,"sku":"Carnival","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/kmmmw_97ae1f5e-adaf-4468-920d-d897ce69e31e.jpg?v=1753358513"},{"product_id":"animals","title":"Animals","description":"\u003cp\u003eSage Sohier grew up with four dogs, and currently lives with three. Animals have always been important in her life; so, when she started photographing people in the late 1970s, she often included their companion animals.\u003c\/p\u003e\n\u003cp\u003e“There is more spontaneity, less self-consciousness, and more chaos when humans and other animals coexist. Love is unconditional, grief is uncomplicated though deeply felt, and life is richer, more vivid, more comical.”\u003c\/p\u003e\n\u003cp\u003eISBN — \u003cspan\u003e978-1-913288-03-7\u003c\/span\u003e\u003cbr\u003ePages — 104\u003cbr\u003eImages — 50 (Duotone)\u003cbr\u003eCover — Hardback, Dust jacket, silk screen \u003cbr\u003eSize — 254mm × 303mm\u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"https:\/\/www.ft.com\/content\/9c861fbe-f465-11e9-a79c-bc9acae3b654\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eFT\u003c\/a\u003e, \u003ca href=\"https:\/\/www.creativeboom.com\/inspiration\/animals-sage-sohiers-vintage-photographs-of-people-and-their-pets\/\"\u003eCreative Boom\u003c\/a\u003e, \u003ca href=\"https:\/\/www.newyorker.com\/tag\/animals\"\u003eThe New Yorker\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eEvent: \u003cspan\u003eJoin us at Le Bal on 7th November from 7:30pm where Sage Sohier will be in conversation with Mark Steinmetz, Tod Papageorge and Lou Stoppard.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sage Sohier","offers":[{"title":"Default Title","offer_id":30941985702027,"sku":"Animals","price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/products\/s1.jpg?v=1572012124"},{"product_id":"sergio-purtell","title":"Love’s Labour","description":"\u003cp\u003eEvery summer from the late 1970s through the mid ’80s SERGIO PURTELL would buy an inexpensive roundtrip ticket from New York to London, and from there get a Eurail pass. Traveling cheaply, he could move freely around Europe.\u003c\/p\u003e\n\u003cp\u003eWandering made sense to Purtell. At the age of 18 he fled an imminent dictatorship in Chile. He fell in love with photography, and his art history classes convinced him that he needed to see Europe. When he got there, he was reminded of his life in Santiago: the mannerisms, the customs, the architecture, the relaxed attitude towards life, the mornings in cafes, and afternoons lounging by the cool of a fountain, and finishing the day at the local bar with a glass of wine.\u003c\/p\u003e\n\u003cp\u003e“A young man sets out to find his Love. As he traverses the European continent, he learns to forget the past, live in the present, and appreciate the journey. How does one fall in love? By being present, an act that is unavoidable when making pictures in the world. In photography, love is not blind—although many things can, deceptively, go unnoticed: a small gesture, the radiance of a glance, the texture of skin, the shape of a neck, a flitting blush, downcast eyes, a modest grace. Love can be a connection to something greater than ourselves, or the thing that shows us who we are. It requires relentless dedication. The fountains merge with the river and rivers with the ocean and the waves embrace each other.” - Sergio Purtell\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring languid summers around forty years ago (it’s the era of Madonna and Eric Fischl), a young Sergio Purtell crisscrossed Europe searching for scenes where marble mixes with skin. Passing through a landscape of fountains and classical piazzas (and on occasion dropping in on a café), Sergio made frames full of sensuous gestures and complex relationships. With the publication of his first book, the brilliant sun that Sergio captured in silver so long ago can be seen again. - Mark Steinmetz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePublished — July \u003cbr\u003eISBN — 978-1-913288-10-5\u003cbr\u003ePages — 112\u003cbr\u003eCover — Hardback, Dust Jacket\u003cbr\u003eSize — 245mm x 298mm\u003cbr\u003ePrice — £95\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/gallery\/11247\/sergio-purtell-love-s-labour\/1\"\u003eAnother\u003c\/a\u003e, \u003ca href=\"https:\/\/collectordaily.com\/sergio-purtell-loves-labour\/\"\u003eCollector Daily\u003c\/a\u003e, \u003ca href=\"https:\/\/www.creativeboom.com\/inspiration\/wanderlust-photographs-by-sergio-purtell-of-his-rail-trip-across-europe-in-the-1970s-and-80s\/\"\u003eCreative Boom\u003c\/a\u003e\u003c\/p\u003e","brand":"Sergio Purtell","offers":[{"title":"Default Title","offer_id":31710206984331,"sku":"Loves-labour","price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/Capture0006_adbf5d7c-7658-494b-85f6-6cd169abf7c3.jpg?v=1751624727"},{"product_id":"christopher-anderson","title":"Pia","description":"\u003cp\u003eChristopher Anderson’s first child, Atlas, was born in 2008. Hebegan photographing that experience in a completely organic and naive way. It was the natural action of a new father trying to stop time and not let one drop of the experience slip through. As a photographer, he had never photographed his own personal life. It never occurred to him that these photographs would be part of his “work”. They were external from what he considered his Photography. He was about two years into making those photographs when it dawned on Anderson that these photographs were, in fact, his life’s work and that everything he had done up to that point was a preparation for making those pictures.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThey became the book, SON, published in 2012 which portrayed a moment in time in Williamsburg Brooklyn, post 911 and the 2008 economic crash when artist lofts still made up the community before the luxury condos squashed the landscape.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003ePia could be called the spiritual sequel to that book. But this time, it marks a new era and search for hope in the Trump\/ COVID19 reality. This time, Anderson’s daughter, Pia, is the protagonist and muse, and the backdrop is his French family’s return to Paris (Anderson became a naturalized French citizen in 2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“The images portray a father-daughter relationship as well as a photographer-subject collaboration as Pia takes control of her character. The passage of time comes with a certain melancholy, but also a declaration of hope that guides the photographs.” - Christopher Anderson\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003eFIRST EDITION \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003ePublished — 20th September 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN — 978-1-913288-15-0\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 160\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Cloth Flexibound \/ Silk Screened\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize — 22x25cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Christopher Anderson","offers":[{"title":"Default Title","offer_id":31827116195979,"sku":"","price":175.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0007_f0ade262-1390-4e43-9fbf-352448f82d2b.jpg?v=1751631726"},{"product_id":"jason-lee","title":"In the Gold Dust Rush","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFor the past 14 years, artist, actor and skateboarder Jason Lee has traversed America making quiet, reflective photographs detailing the landscape and its oft-overlooked and forgotten places. \u003c\/p\u003e\n\u003cp\u003eHis new book In The Gold Dust Rush draws together 84 never before published black and white photographs from the last 12 of those years into a meandering journey from the mountains to the city.\u003c\/p\u003e\n\u003cp\u003e“Since my first photographic outing in my native California in 2006, where I explored a more rural, perhaps neglected face of the state, and the many subsequent outings zigzagging through the West Coast, the Southwest, and Texas, I remain fascinated by the American landscape, by evidence of cancellation and departure and the environmental contradictions that make up our collective everyday view. These conflicts, this is where the questions are. It’s then and now splitting time, man and nature pushing up against each other, and progress forever forcing itself on the contented. And somewhere in the middle, you make pictures.” Jason Lee\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished — 7th December 2020\u003cbr\u003eISBN — 978-1-913288-21-1\u003cbr\u003ePages — 112\u003cbr\u003eCover — Hardback \/ foiled \/ band \u003cbr\u003eSize — 286x266mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"yj6qo\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Jason Lee","offers":[{"title":"Default Title","offer_id":31886677639307,"sku":"Jason-Lee-Book","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0006-3_e8a7be03-71e1-4870-a825-22b85a3c6242.jpg?v=1751624583"},{"product_id":"white-sky","title":"The White Sky","description":"\u003cp\u003e“\u003cem\u003eAt 13 we wore faded jeans, torn at the knees, tight white t-shirts, long straight hair parted down the middle. We wandered through the suburban landscape hiding in corners, smoking cigarettes, looking for stuff to do.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Throughout my childhood years, growing up beneath the shadow of Mt. Diablo in the California suburb of Walnut Creek, I watched the rolling hills and valleys mushroom with tract homes and strip malls, and to me and my teenage friends, they were the blandest, saddest homes in the world.The starkness of the landscape hurt my eyes. The low brown hills coated with dry grass, scratching my ankles, fox tails caught in my socks. I was always looking for a place to hide from the bright, white sky. The raw dirt yards and treeless streets, model homes expanding exponentially, with imperceptible variation.\u003c\/em\u003e” - Mimi Plumb\u003c\/p\u003e\n\u003cp\u003eIn her early twenties, the American Photographer Mimi Plumb looked back to her Californian childhood to make a series of photographs about suburban youth. The resulting photographs collected in her new book “The White Sky’ builds a world in which an unknown trauma hangs heavy in the air, and children rule the roost.\u003c\/p\u003e\n\u003cp\u003eAn artist edition is also available in an edition of 30. Click \u003ca href=\"https:\/\/www.stanleybarker.co.uk\/collections\/special-editions\/products\/the-white-sky-artist-edition\"\u003eHERE\u003c\/a\u003e for more info \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePublished — September\u003cspan class=\"Apple-converted-space\"\u003e 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eISBN — \u003cspan\u003e978-1-913288-19-8\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePages — 136\u003c\/p\u003e\n\u003cp\u003eCover — Hard back, foil stamped\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSize — 300 x 240mm\u003c\/p\u003e","brand":"Mimi Plumb","offers":[{"title":"Default Title","offer_id":32348701491339,"sku":"White-Sky-book","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0015_28a7bdce-359d-48d5-ba98-a4eafff35382.jpg?v=1751632968"},{"product_id":"crimson-line","title":"Crimson Line","description":"\u003cp\u003eBorn in the Australian steel city of Newcastle, one of TRENT PARKE’S only early childhood memories is accompanying his mother to pick his dad up from work, travelling through a landscape dominated by ship yards, chimneys, and the BHP steelworks.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThroughout his career PARKE has always been interested in the transformative powers of light, but it was the ephemeral changing colours of dawn and dusk, the multitude or different reds that made him curious about the colour crimson. He discovered the colour that is used in commercial products is harvested from the crushed and boiled bodies of the female scale insect, the Cochineal. A tiny minute insect who inhabits the pads of the prickly pear cactus and who are farmed for their crimson dye. A dye now used primarily in cosmetics and food colouring. \u003c\/p\u003e\n\u003cp\u003eScarlet, magenta, orange, and crimson, are the coloured dyes produced by the Cochineal and also seem to feature spectacularly in the colours of creation, as seen in an Eagle Nebula during the birth of a new star and recorded by the Hubble space telescope. These colours of birth and blood Parke also remembers from the bath water, the umbilical cord and placenta, at the birth of his sons. \u003c\/p\u003e\n\u003cp\u003e‘As soon as the female insect is delivered of its new numerous progeny, it becomes a meer husk and dies; so that great care is taken in Mexico, where it is principally collected, to kill the old ones while big with young, to prevent the young ones escaping into life, and depriving them of that beautiful scarlet dye, so much esteemed by all the world.’ - John Ellis, Esq; 1762.\u003c\/p\u003e\n\u003cp\u003e Edition  \u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e— 1st\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eISBN — 978-1-913288-13-6\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 132 (coated and uncoated papers) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Metallic Hardback \/ Foiled Stamped \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize —310x220mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Trent Parke","offers":[{"title":"Default Title","offer_id":32680425980043,"sku":"Crimson-Line","price":400.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/trl.jpg?v=1753267734"},{"product_id":"the-place-in-between","title":"Place In Between","description":"\u003cp\u003eThe call of the ocean has long been a focus of NARELLE AUTIO’s work. Spending her childhood growing up in sun-soaked Australia she has had a lifetime relationship with the beach and is fascinated by the need for many of us to return to water. A primeval need connecting us to our ancient ancestors, pulling us back to where we came. The images dive into our collective memories and speak too many of their own personal experiences.\u003c\/p\u003e\n\u003cp\u003e Cinematic in nature and using the play of light and colour familiar to all her work, she captures the complex relationship and drama of our love for the sea and our willingness to risk our lives to enjoy it. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e“The water at the end of the jetty is dark. It is deep. I dive, down into the quiet and cold. I breathe out the remaining life I have left in me and sink further into the darkness. Looking up I watch the bubbles of air flee towards the light. Surrounded by things unknown, unseen, I wait. Wait and wait for the jumpers to disturb the stillness. My heart is beating, get out, get out, get out of here.”\u003c\/p\u003e\n\u003cp\u003e“The water above me explodes in shock. I love that moment of immersion when the sea first grabs hold of us. Cocooned in a shroud of bubbles and light, suffocated by a cold, insisting watery embrace. There is a sublime moment of suspension, of complete isolation in a place between two worlds. We can live here but not for very long. The sea lets us enter but it might not let us leave.” - NARELLE AUTIO \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eISBN — 978-1-913288-14-3\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages — 88\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover — Hand Sewn \/ Debossed \/ Reactive Metalic Silkscreen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize —285x205mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAn artist edition including a signed print is avaible \u003ca href=\"https:\/\/www.stanleybarker.co.uk\/products\/please-in-between-artist-edition\"\u003e\u003cstrong\u003eHERE\u003c\/strong\u003e\u003c\/a\u003e \u003c\/p\u003e","brand":"Narelle Autio","offers":[{"title":"Default Title","offer_id":32680473526411,"sku":"Place-In-Between","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0005_00c1fba9-a353-4fe4-b1a3-72a07ff23459.jpg?v=1751631823"},{"product_id":"fingerprint","title":"Fingerprint","description":"\u003cp\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\" color=\"#000000\" face=\"arial, sans-serif\"\u003eOften considered Jim Goldberg’s seminal body of work, \u003ci\u003eRaised By Wolves\u003c\/i\u003e collages ten years of photographs, texts, films and installations into an epic narrative of the lives of runaway teenagers in San Francisco and Los Angeles in the late 1980s and early 1990s. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\" color=\"#000000\" face=\"arial, sans-serif\"\u003eIn FINGERPRINT, Goldberg exhibits many never-before-seen Polaroids from the project, which served as drafts for photographs he would later make, as well as gifts for the subjects themselves. The images are sometimes scrawled with text proclaiming the identities, challenges, and resilience of the teens, and other times capture a quiet reality of life on the street.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000; font-family: arial, sans-serif;\" color=\"#000000\" face=\"arial, sans-serif\"\u003eEncased in a box set, the 45 loose leaf facsimile Polaroids create a freshly intimate and fragmented account of this classic body of work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePublished — Jan 2021 \/ Mar 21\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 90\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Silkscreened Box \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize — 120x150mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Jim Goldberg","offers":[{"title":"Default Title","offer_id":32681479340171,"sku":"9781913288181","price":85.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/f1.jpg?v=1747327963"},{"product_id":"blackwater-river-out-of-print","title":"Blackwater River 1st Ed.","description":"\u003cp class=\"p1\"\u003eRobbie Lawrence's Blackwater River sold out in just one month. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOn a map of the south-eastern U.S., the 245-mile Ogeechee River cuts a diagonal path across Eastern Georgia before curling south of the city of Savannah and emptying into the Atlantic Ocean. It is known locally as Blackwater River for its slow moving waters that are like black glass, reflecting the sky and flora overhead and masking the tangle of life forces beneath.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn November 2017, Robbie Lawrence, accompanied by writer Sala Patterson, travelled to the Low Country, the coastal region straddling Georgia and South Carolina near where the Ogeechee River meets the ocean with the aim of documenting the nuances of issues driving news cycles and political divisions through the lens of one place in America.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBlackwater River captures, in image and spirit, Lawrences time in the Low Country – a series of profound encounters and abstract reflections, some inspiring, others harsh but all indelible. Each moment is individually significant while collectively hinting at larger, more elusive truths.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePublished — 1st October 2019\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN — \u003c\/span\u003e\u003cspan\u003e978-1-913288-10-3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 104 (98 coated 8 uncoated) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eImages — 91 (Duotone + PMS)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Hardback, Foil Stamped \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize — 308 X 245mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePress: \u003ca href=\"https:\/\/www.ft.com\/content\/58455f64-e924-11e9-a240-3b065ef5fc55\"\u003eFT\u003c\/a\u003e, \u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/robbie-lawrence-blackwater-river-bb\/\"\u003eThe Eye of Photography\u003c\/a\u003e, \u003ca href=\"https:\/\/www.google.co.uk\/amp\/s\/www.thestrandmagazine.com\/single-post\/2019\/10\/15\/Blackwater-River-Robbie-Lawrence-Review---Webber-Gallery%3f_amp_\"\u003eThe Strand\u003c\/a\u003e, \u003ca href=\"https:\/\/paper-journal.com\/robbie-lawrence-blackwater-river\/\"\u003ePaper Magazine\u003c\/a\u003e, \u003ca href=\"https:\/\/www.sleek-mag.com\/article\/robbie-lawrence\/\"\u003eSleek\u003c\/a\u003e, \u003ca href=\"https:\/\/www.bjp-online.com\/2019\/11\/issue-7890\/\"\u003eBritish Journal of Photography,\u003c\/a\u003e \u003ca href=\"https:\/\/www.fisheyemagazine.fr\/rdv\/livre\/blackwater-river-terres-nuancees\/\"\u003eFisheye\u003c\/a\u003e \u003c\/p\u003e","brand":"Robbie Lawrence","offers":[{"title":"Default Title","offer_id":33179328807051,"sku":"Blackwater-river","price":375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/products\/fc_1300x1300_7608e2c3-dcc9-4e4b-8a44-351988bbbcc5.jpg?v=1585836535"},{"product_id":"when-midnight-comes-around","title":"When Midnight Comes Around","description":"\u003cp\u003eBeginning in 1976, the American photographer GARY GREEN immersed himself in New York City’s burgeoning downtown music scene.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBy day a photographer’s assistant, he spent his nights at Max’s Kansas City and CBGB documenting some of the decade’s most iconic musicians and figures. Included in this collection are Lou Reed, Andy Andy Warhol, Joey Ramone, Richard Hell, Johnny Thunders, Patti Smith, Tom Waits and Debbie Harry, as well as those on the scene who witnessed musical history being made.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis new book presents a unique vantage point on a place and time whose impact on music and culture cannot be overestimated.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cspan\u003e\"A democratic portrait of an emerging \u003c\/span\u003eNew York\u003cspan\u003e punk scene that looks both distant and timeless.\" \u003ca rel=\"author\" class=\"tone-colour\" data-link-name=\"auto tag link\" href=\"https:\/\/www.theguardian.com\/profile\/seanohagan\" itemprop=\"sameAs\"\u003e\u003cspan itemprop=\"name\"\u003eSean O’Hagan\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003ePublished — May \u003cbr\u003eISBN — 978-1-913288-07-5\u003cbr\u003ePages — 72 \u003cbr\u003eCover — Softback, Foil stamped, Tip on \u003cbr\u003eSize — 250x190mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003ePress:\u003ca href=\"https:\/\/www.anothermag.com\/art-photography\/gallery\/11134\/when-midnight-comes-around-by-gary-green\/12\"\u003e AnOther\u003c\/a\u003e, \u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/gary-green-when-midnight-comes-around-pp\/\"\u003eEye of Photography\u003c\/a\u003e, \u003ca href=\"https:\/\/www.creativeboom.com\/inspiration\/when-midnight-comes-around\/\"\u003eCreative Boom\u003c\/a\u003e, \u003ca href=\"https:\/\/www.theguardian.com\/artanddesign\/2020\/may\/28\/gary-green-photograph-new-york-punk-scene\"\u003eThe Guardian\u003c\/a\u003e, \u003ca href=\"http:\/\/internationaltimes.it\/hanging-out-downtown\/\"\u003eInternational Times\u003c\/a\u003e, \u003ca href=\"https:\/\/www.itsnicethat.com\/articles\/gary-green-when-midnight-comes-around-photography-220520\"\u003eIts Nice That,\u003c\/a\u003e \u003ca href=\"https:\/\/www.juxtapoz.com\/news\/photography\/when-midnight-comes-around-photos-of-cbgb-and-max-s-from-the-late-1970s\/\" target=\"_blank\"\u003eJuxtapoz\u003c\/a\u003e, \u003ca href=\"https:\/\/www.nowfashion.com\/gary-green-s-black-and-white-photographs-delve-into-nyc-s-punk-and-post-punk-scene-29794\" target=\"_blank\"\u003eNow Fashion\u003c\/a\u003e, \u003ca href=\"http:\/\/www.thereviewmag.co.uk\/when-midnight-comes-around\/\" target=\"_blank\"\u003eThe \u003c\/a\u003e\u003c\/span\u003e\u003ca href=\"http:\/\/www.thereviewmag.co.uk\/when-midnight-comes-around\/\" target=\"_blank\"\u003eReview\u003c\/a\u003e\u003c\/p\u003e","brand":"Gary Green","offers":[{"title":"Default Title","offer_id":34414073806997,"sku":"9781913288075","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/products\/gn_1300x1300_dbd7449f-99d8-4b3d-b161-d6161f2c9387.jpg?v=1589882128"},{"product_id":"a-voice-above-the-lynn","title":"A Voice Above the Linn","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" style=\"text-align: left;\"\u003eIn 2016 Robbie Lawrence first travelled to a remote stretch of coastline in the west coast of Scotland, to Linn Gardens, which lies at the head of Cove Bay on the west side of Rosneath peninsula. The gardens had been run for fifty years by Jim Taggart, an avid botanist and gardener. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJim discovered that the region’s subtropical climate allowed him to grow plants and flowers from all over the world. His endeavours led to the estate being covered in an intricately plotted web of ferns, bamboos, Magnolias and Rhododendrons. As Jim got older, his son Jamie took over the more physical elements of maintaining the garden, including travelling abroad to research and gather new plants. On one such journey, to the northern mountainous region of Vietnam, Jamie disappeared. His body was found years later, he had evidently fallen in one of the mountain’s higher passes.  \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“\u003cem data-mce-fragment=\"1\"\u003eWhen I first met Jim, who by this point was well into his 80s, he told me that he decided to keep the garden going as a memorial to his son. Over the past few years, I went back to visit Jim and document the garden as it passed through the seasons. Despite his age, Jim would bound around the garden, occasionally stopping to provide a lengthy anecdote about a particular fern or tree. Last summer, Jim passed away at the age of 84\u003c\/em\u003e.” - Robbie Lawrence \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn ‘A Voice Above The Linn’ Lawrence collaborated with the renowned poet John Burnside, who contributed four beautiful new poems to segment its chapters. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eISBN — 978-1-913288-16-7\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages — 134 (CMYK + Duotone) \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover — OTA Bound \/ Fibreboard cover \/ Silk screened \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize —230x170mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Robbie Lawrence","offers":[{"title":"Default Title","offer_id":37213195927701,"sku":"Voice-book","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0080_174af94b-e9a9-468b-87c2-8030553e1518.jpg?v=1751632369"},{"product_id":"town-of-c-1","title":"Town of C","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRichard Rothman's Town of C is a photographic meditation on what lies beneath the unsettling surface of American culture, as seen through the lens of a small town along the Front Range of Southern Colorado’s Rocky Mountains. Rooted in the tradition of the socially critical photography books that have taken America as their subject\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e— Walker Evans’ “American Photographs,” Robert Frank’s “The Americans,” and Robert Adams’ “What We Bought,” among them — “Town of C” both encompasses and expands on the American theme, provoking thoughts about the larger environment. It begins with a prologue of alternating titles and images that announce the elemental forces of nature: water, and the source of the river that runs through the town; the region’s tectonics and the mountains that have risen above them to shape and frame the landscape; and light, the source of energy that fuels life itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe increasingly dystopian American experience is placed within the larger context of our disturbed presence in the world. The book, a novel-like, sustained visual narrative, attempts to penetrate and reveal the heart of a small town and, by extension, the culture it has sprung from and the lives of the people who have shaped that culture, and who are in turn shaped by it. Varied, wide-ranging portraits span generations and classes, from infants to the elderly, from the homeless to the wealthy. They bear witness to the struggle to survive and ascend, and attest to an eternal hunger for unrequited longings that fuel human interaction in unpredictable ways. The tragic nature of the human condition explored in the portraits, nudes, and altered landscape of C is set against the rapturous beauty of a vanishing natural world still capable of generating awe, wonder, and a reverence for life.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp\u003eISBN — 978-1-913288-24-2 \u003c\/p\u003e\n\u003cp\u003ePages — 164\u003c\/p\u003e\n\u003cp\u003eCover — Hard back \/ Foil stamped \/ Tip on\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSize — 300x250mm \u003c\/p\u003e\n\u003cp\u003ePrice\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e—\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e£80 \/ €93 \/ $109\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Richard Rothman","offers":[{"title":"Default Title","offer_id":37427307839637,"sku":"Town-of-C","price":80.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0006-2_6c8681af-c4d0-41b8-bd3c-6226686b40c3.jpg?v=1751632409"},{"product_id":"four-winters","title":"Four Winters","description":"\u003cp\u003e “In the middle of a December night a few years ago I was woken by the phone ringing downstairs. Nothing ever good comes of such a call and this time it was news that my younger brother had been admitted to hospital, and the doctor caring for him had rung to say he thought it unlikely he would live through the night. I drove to see him and sat with him through the early hours, in the eerie quiet of the emergency ward, until late in the morning when it appeared he would pull through.”\u003c\/p\u003e\n\u003cp\u003e“When I got home that afternoon I decided to go for a walk by the river. As the dark of the dusk gradually gathered I sat on a log to sift through the thoughts and emotions of the day. Gradually I became absorbed in what was in front of me; the turbulence of the streams surface as the water raced around the bend, the waving of the reeds and the branches of the overhanging tree, and the pink of the clouds being pushed across the sky by a south-westerly breeze. When mallard ducks pushed out from the bank to swim across the river in search of a safe haven for the night, I picked up the small digital camera I had just started to use and quickly took a picture.”\u003c\/p\u003e\n\u003cp\u003e\"In the middle of another night, a couple of years after the first call, the phone rang again, with the same message. I went off to the hospital once more to sit by Andy’s side, however that time he did not make it through. As I write this on the cusp of the Spring Equinox in 2021, I have just come to the end of another season by the river – The Fifth Winter. It is hard to stop, such are the profound pleasures of witnessing and sharing the quiet wonders of a winter’s morning, on a bend in the river. \u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e”\u003c\/span\u003e- Jem Southam\u003c\/p\u003e\n\u003cp\u003e For the past four winters the English artist Jem Southam has repeatedly visited a short stretch of riverbank along the floodplain of the River Exe. He stands and watches, as the dusk fades into darkness or as the light of dawn gathers, witnessing the different passage of each winter. In the evenings, long past sunset, swans, geese and ducks arrive on the river to spend the night in safety. In the mornings the birds wake, preen, feed and socialise as they prepare for the new day.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003eThese periods of subtle drama have played out continuously for millennia, as the world spins and each new day dawns the spectacle repeats itself. However, it is endlessly varied, and in the photographs in this book, Jem Southam notates and narrates the subtle shifts and dramas of the theatrical space around him.   \u003c\/p\u003e\n\u003cp\u003eUSA orders will ship in late October \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eISBN — \u003c\/span\u003e\u003cspan\u003e978-1-913288-25-9\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 124\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Hard back \/ Silk Screened \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize — 300x230mm  \u003c\/span\u003e\u003c\/p\u003e","brand":"Jem Southam","offers":[{"title":"Default Title","offer_id":37427312099477,"sku":"Four-Winters","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/QEREEEE.jpg?v=1753363820"},{"product_id":"headed-west","title":"Headed West","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAfter leaving Portsmouth, New Hampshire, the city where he was born and raised, Paul McDonough went first to Cambridge, Massachussets and then New York City, where his life as a photographer began in earnest.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAnd while he never tired of New York’s kaleidoscopic street scene, he felt the tug of the west, and of the sprawling, dreaming country that lay between the two coasts.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the 1960’s through the 1990’s McDonough made numerous photographic treks, seeking to capture people, animals, architecture, land-and-cityscapes — in short, the American life, pre-internet, pre-cell phone, that was thrumming all around him.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAs Hilton Als of the New Yorker so aptly put it: “McDonough’s project, it seems to me, is a kind of record of his life as a walker… his pictures are a map of experience, of his consciousness. He is a thinker who looks through the eye of his camera to distinguish truth from reality.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"https:\/\/collectordaily.com\/paul-mcdonough-headed-west\/\"\u003eCollector Daily\u003c\/a\u003e, \u003ca href=\"https:\/\/www.theguardian.com\/theobserver\/2021\/may\/09\/the-big-picture-sandcastles-on-americas-final-frontier\"\u003eGuardian\u003c\/a\u003e, \u003ca href=\"https:\/\/www.huckmag.com\/art-and-culture\/a-portrait-of-american-street-life-in-the-analogue-era\/\"\u003eHuck\u003c\/a\u003e \u003c\/p\u003e\n\u003cp\u003e  \u003c\/p\u003e\n\u003cp\u003eISBN — 978-1-913288-23-5\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePages — 120\u003c\/p\u003e\n\u003cp\u003eCover — Hard back \/ Debossed\u003c\/p\u003e\n\u003cp\u003eSize — 290x250mm\u003c\/p\u003e\n\u003cp\u003ePrice\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e—\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e£36 \/ €42 \/ $50\u003c\/p\u003e","brand":"Paul McDonough","offers":[{"title":"Default Title","offer_id":37427323601045,"sku":"Headed-west","price":70.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0007-3.jpg?v=1755262980"},{"product_id":"rivers-towns","title":"Rivers \u0026 Towns","description":"\u003cdiv class=\"Ar Au Ao\"\u003eThe photographs in\u003cspan class=\"gmail-Apple-converted-space\"\u003e Mark Steinmetz's expansive book \u003c\/span\u003e\u003ci\u003eRivers \u0026amp; Towns\u003cspan class=\"gmail-Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003ewere made in the 1980s in working class towns and cities in Connecticut, USA. \u003c\/div\u003e\n\u003cdiv class=\"Ar Au Ao\" id=\":16q\"\u003e\n\u003cdiv spellcheck=\"false\" aria-multiline=\"true\" role=\"textbox\" aria-label=\"Message Body\" class=\"Am Al editable LW-avf tS-tW tS-tY\" id=\":1d4\" tabindex=\"1\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\"The brooding factories and mills built alongside rivers had seen their heyday and were beginning to decline. I was moved by these places and wanted to describe the bridges, houses, and streets, and to show something of people's inner lives. At the same time, I was trying to discover myself as a photographer.\" - Mark Steinmetz \u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eISBN — 978-1-913288-34-1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 208\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Hard back \/ Dust jacket \/ silkscreened  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize — 285x285mm\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mark Steinmetz","offers":[{"title":"Default Title","offer_id":37822889296021,"sku":"rivers-and-towns","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/tr.jpg?v=1753265786"},{"product_id":"son","title":"Son","description":"\u003cp\u003e\u003cbr\u003eFollowing the birth of his son Atlas, Christopher Anderson stepped away from war photography, turning his camera towards an intimate reflections of family life, resulting in his 2013 book \u003cem\u003eSon\u003c\/em\u003e. \u003c\/p\u003e\n\u003cp\u003eSTANLEY\/BARKER is proud to publish a beautifully \u003cspan data-mce-fragment=\"1\"\u003ereimagined\u003c\/span\u003e edition which adds a second chapter of 80 new pages to the story, following Christopher and Atlas's relationship up to the present day. The book will include both Anderson's original images from Son (2013) plus 40 never before seen images.\u003c\/p\u003e\n\u003cp\u003e“These photographs are an organic response to an experience that is at the same time the most unique and the most universal of experiences: the birth of a child. At the same time that I was experiencing the intense joy of new life, my father was diagnosed with lung cancer.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eIt’s fair to say that I found myself reflecting on obvious themes of life and death. Through my son, my role as the son took on new meaning and my senses were hyper tuned to the evidence of my own life passing. Then these photographs just sort of happened. They are a record of love and a reflection on the seasonal nature of life.”\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- Christopher Anderson \u003c\/p\u003e\n\u003cp\u003ePress: \u003ca href=\"https:\/\/www.creativereview.co.uk\/christopher-anderson-photo-book-son\/\"\u003eCreative review \u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWORLD WIDE ORDER SHIPPING SAME DAY \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003ePublished — 9th August\u003cbr\u003eISBN —978-1-913288-33-4\u003cbr\u003ePages — 160\u003cbr\u003eCover — Cloth Flexibound \/ Silk Screened\u003cbr\u003eSize — 22x25cm\u003cbr\u003ePrice —  £150 \/ €174 \/ $204\u003c\/p\u003e","brand":"Christopher Anderson","offers":[{"title":"Default Title","offer_id":37822923833493,"sku":"son2022","price":200.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0017_3a1f2adb-f827-4455-9168-feda65c18d40.jpg?v=1751632258"},{"product_id":"the-golden-city","title":"The Golden City","description":"\u003cp\u003eMimi Plumb used to live on the edges of the city where the rents were cheap. Nearby, on the summit of the hill, were folded layers of radiolarian chert, the fossilized remains of microscopic creatures called radiolaria. A large crevice in the hillside was a reminder of the ever-present threat of an earthquake. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWarm Water Cove, along the bay, was a spectacle of tires and abandoned cars. One day Plumb photographed the chimney of the power station above the fiery destruction of the 25th Street Pier. She watched planes flying over the city dump of cardboard hillsides.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“Downtown buildings on the far-off horizon reminded me of Oz. My cat, Pearl, kept watch on the rooftop of my flat.” - Mimi Plumb \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlumb’s life was marked by nights out dancing at the Crystal Pistol in the Mission, or listening to a punk polka band at the Oasis. Neil, the clarinet player, wore faux leather naugahosen, with spikes protruding from his head. Sometimes they played pool at Palace Billiards. At the Exotic\/Erotic Ball, a bird man and a nurse hid in the corners. A steely-eyed silver man in his tuxedo stared back at Plumb from behind his mask, the camera flash shining a light on him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlumb’s days were spent visiting abandoned schools and derelict gas stations, a billboard claiming ‘dangerously close to homemade.’\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo Plumb the magical clanging of the San Francisco cable cars was a world away, and the idealism of the 1960s seemed long gone. The Golden City of San Francisco, fraying at its edges, showed the growing chasm between the rich and poor.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe pictures in The Golden City were made between 1984 and 2020.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mimi Plumb","offers":[{"title":"Default Title","offer_id":37838657781909,"sku":"golden-city","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0017_fd663c14-7443-432c-b60f-1b8a02877514.jpg?v=1751624491"},{"product_id":"archive","title":"Archive: Son\/Pia","description":"\u003cp\u003eTo celebrate the release of a reimagined edition of Christopher Anderson's Son, we are proud to release an archive of Anderson's Family work. Each copy will include a first edition of Pia as well as Son, housed in an archival box.  \u003c\/p\u003e\n\u003cp\u003eThis edition will be strictly limited to 150 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Christopher Anderson","offers":[{"title":"Default Title","offer_id":38039060316309,"sku":"Anderson-Archive","price":400.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0020_74680dc9-14a8-4ee5-8e41-13765e8021e4.jpg?v=1751623973"},{"product_id":"at-night-gardens-grow","title":"At Night Gardens Grow","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e“The week before Trula died, she began spending entire days reclined in her field. Her body would be so still we’d come up closer to be sure she hadn’t left us. A slight movement of her head chasing a loose swallow, or a finger grazing a plucked blade of grass was enough. Tuesday night she had come into the kitchen after a particularly long 12 hours in her field. Her hair disheveled like a bird nest. She looked at a rhubarb stalk on the table and said to us “all this time I’ve never seen the flowers growing, but they’re taller every morning.” - Paul Guilmoth \u003c\/p\u003e\n\u003cp\u003ePaul Guilmoth’s At Night Gardens Grow is an elegy to a queer world that rests between the personal landscapes of home, and the ubiquitous terrains of identity. At Night Gardens Grow is about the island it was created on, just as much as it’s about the interior worlds we carry with us. Combining carefully crafted large-format photographs with more impulsive documentary photographs, Guilmoth moves through the found and fabricated landscapes of somewhere that’s never quite fixed or distinguished, but palpably familiar.\u003c\/p\u003e\n\u003cp\u003eThese photographs have one foot in modern America and the other in a land of the past—haunted by the ghosts of lived experience, family, and the land we inhabit. Any clear sense of locality is lost in favour of a more fluid and universal language of symbols and stories. A duality exists in this place that has both a desire to preserve, and an instinct to shed its skin, exposing a burgeoning folkloric force at work beneath its surface.\u003c\/p\u003e\n\u003cp\u003eFrom baptisms, monuments of spider-silk, funerals, house-fires, holes carved in rock, and birth: At Night Gardens Grow is about stories that are as fragile as the world they’re built on.\u003c\/p\u003e\n\u003cp\u003eThis book is for Trula Drinkard-Goolsby, who died on July 17th, 2021 after one last day laying in the field.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003eShipping world wide same day  \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan\u003eISBN —  978-1-913288-35-8\u003cbr\u003ePages — 124\u003cbr\u003eCover — Hard back \/ Tip on \/ Silk screen \u003cbr\u003eSize — 250x220\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Peah Pauline Guilmoth","offers":[{"title":"Default Title","offer_id":39431089520789,"sku":"at-Night-gardens","price":300.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0012-2_a827ee92-6678-4b4d-88fa-2de84921c4ce.jpg?v=1751624915"},{"product_id":"london-82","title":"London 82","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn the early 1980's, Sunil Gupta enrolled at the Royal College of Art in London, where he had access to colour negative processing facilities. He took to the streets of the capital in search of the centres gay London life around Earl’s Court, King’s Road, and the West End.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan lang=\"EN-CA\"\u003e\"I hoped to repeat my experience of Christopher Street in New York, except now in London and in colour. It wasn’t to be. Even what appeared to be a concentration of gay life was not dense enough to create its own public space, so I was getting either huge gaps between people or a crowd of very mixed people. I decided to abandon an exclusively gay subject and started concentrating on whatever caught my eye—migrants, people of colour, gay men, elderly people out and about on their own.\" — Sunil Gupta\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-CA\"\u003e This series recently resurfaced through Gupta’s process of archiving his past images, providing a catalogue of the Sloanes, New Romantic and \u003cspan data-mce-fragment=\"1\" class=\"Apple-converted-space\"\u003epensioners who once roamed London's streets. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUSA order shipping from Early Jan \u003c\/p\u003e\n\u003cp\u003eISBN — 978-1-913288-31-0 \u003c\/p\u003e\n\u003cp\u003ePages — 124\u003c\/p\u003e\n\u003cp\u003eCover — OTA \/ PVC Jacket \/ Silk screened \u003c\/p\u003e\n\u003cp\u003eSize — 200x285mm\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e€43 \/\u003c\/span\u003e$50 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Sunil Gupta","offers":[{"title":"Default Title","offer_id":40532437336213,"sku":"London-82","price":36.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0035_b8a41aaf-1158-4eed-a623-5f3fa3a1decd.jpg?v=1751623861"},{"product_id":"belleville-1","title":"Belleville","description":"\u003cp\u003eSince 2010 Thomas Boivin has been making beautiful, contemplative black and white photographs of his Parisian neighbourhood and the people who live there. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBelleville is a place that is both emblematic of the popular notions of Paris and constantly changing. Set in the eastern part of Paris, it is a multicultural area of the city that attracts artists and those new to France. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I started to photograph its streets and people as soon as I moved there, and kept photographing for years. Photographing people, above all, was what I found meaningful. Although the photographs hardly depict the city, I find they convey the sensation that I had, walking the streets of Belleville: A mixture of beauty and decay, of joyful moments and sadness, the warm feeling of light and the bitter sweet sensation that one can experience walking around all day, searching for a stranger's eyes..” - Thomas Boivin \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBelleville is released to consider with an exhibition at \u003cb data-mce-fragment=\"1\"\u003eA Foundation\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eISBN — 978-1-913288-39-6\u003cbr\u003ePages — 100\u003cbr\u003eCover — Flexibound \/ Dust jacket\u003cbr\u003eSize — 275x225mm\u003cbr\u003ePublished — 22 April\u003c\/p\u003e\n\u003cp\u003ePrice — £75 \/ €87 \/ $104\u003c\/p\u003e","brand":"Thomas Boivin","offers":[{"title":"Default Title","offer_id":41929911042197,"sku":"bellville","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0042_0a1d02d5-f1ad-4149-924e-6a6edb42405c.jpg?v=1751624088"},{"product_id":"cue-the-sun","title":"Cue The Sun","description":"\u003cp\u003e\u003cspan\u003eA week before the global COVID-19 pandemic took hold in 2020 the Australian artist Trent Parke found himself on a whirlwind road trip across Northern India. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe frenetic photographs in Parke's new book\u003ci\u003e Cue the Sun\u003c\/i\u003e were produced while travelling between Agra, Amritsar, Delhi, Dharamshala, Meerut and Mathura, from fast moving vehicles, of the outside world as it rushed by, almost as if in a dream. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe people rendered at 1000th of a second, are working through the night, pushing towards a smartphone driven modernity. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“I kept feeling as though I could have been in any number of other countries at a given time. Though the windows I felt the past and future collide. The contradiction, beauty, chaos and hope. Humanity on the move.” Trent Parke\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis highly anticipated artists book is constructed as a unique, vast, double printed concertina, taking you on a fantastical journey through the kinetic Indian night to a breath-taking dawn. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eSBN — 978-1-913288-37-2\u003cbr\u003ePages — 116\u003cbr\u003eDetails — Concertina \/ Swiss Bound \/ Foil stamped \/ Silk screened \u003cbr\u003eSize — 290x220m\u003cbr\u003ePublished — May 2022\u003cbr\u003ePrice — £200 \/ €232 \/ $272\u003c\/span\u003e\u003c\/p\u003e","brand":"Trent Parke","offers":[{"title":"Default Title","offer_id":42070351216789,"sku":"Cue-the-Sun1","price":200.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0028_3eda3e7f-e95b-45ae-a89d-cb02f531d64a.jpg?v=1751632899"},{"product_id":"northern-diary","title":"Northern Diary","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis new limited edition object, includes twelve photographs produced by photographer Robbie Lawrence in his home nation of Scotland over the past five years. Together they form a meditation on the relationship between people and place, and create an affirmation of life north of the border against an increasingly fraught political landscape across the UK.\u003c\/p\u003e\n\u003cp\u003eReleased to coincide with an exhibition at Stills Gallery, Northern Diary draws inspiration from classic Valentine’s sets that in years gone by, one would purchase while away from a loved one to attempt to share an experience of their travels.\u003c\/p\u003e\n\u003cp\u003e“I have never thought of myself as a Scottish photographer. But a growing interest in my cultural heritage led me to begin documenting my trips home to see my family. The phrase Northern Diary appeared several times in my notebooks over the years and became a kind of totem for the work.” - Robbie Lawrence\u003c\/p\u003e\n\u003cp\u003eISBN — 978-1-913288-44-0\u003cbr\u003ePages — 24\u003cbr\u003eCover — Embossed case containing 12 heavy weighted cards\u003cbr\u003eSize — 200x150mm\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Robbie Lawrence","offers":[{"title":"Default Title","offer_id":42081172226197,"sku":"Northern-diary","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0010.jpg?v=1755263099"},{"product_id":"speedward-1972","title":"SPEEDWAY 1972","description":"\u003cp data-mce-fragment=\"1\"\u003eWhile at grad school in the early 1970’s Henry Horenstein would attend Speedway races, in New England to see his brother in law compete. In front of his camera the drivers would fly around the track in beat-up cars customised for racing at break neck speeds in the hopes of small town glory.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHorenstein's joyful images present us with a slice now of what the world of motor racing looked like then, before racing became big business, as it slowly morphed into Nascar - the worlds fastest growing sport.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“I was still in grad school and I was looking for subjects. There had to be good pictures there for a wanna-be historian-with-a-camera. What better than an old-school sport that would certainly be extinct one day? I’m still waiting. My brother-in-law Paul raced stock cars—old. Paul’s cousin Dickie Simmonds owned the local Gulf station\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand modified the junkers that Paul drove at places like the Seekonk Speedway (Seekonk, MA) and the Thompson Speedway (Thompson, CT). Paul and Dickie had friends in low places.”  Henry Horenstein\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"As I started to look at the photos I recognized most of the cars and I began to marvel at the skills of some of these drivers and their teams for keeping these heaps going. They must have been geniuses... As I looked over the photos for a second time I noticed that for a book about stock car racing there are more pictures of the people than their cars and this is something else that Henry and I share. On Car Talk we used the cars as an excuse to talk to people and get to know them and their stories.\"  Ray Magliozzi\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eISBN — 978-1-913288-47-1\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePages — 88\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover — Hard back \/ Tip on \/ silkscreened\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize — 254 x 254 mm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Henry Horenstein","offers":[{"title":"Default Title","offer_id":42117775622293,"sku":"Speedway","price":45.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/untitled-0008-3_78c35373-4276-4c9a-8870-ecaf9b0fe0d7.jpg?v=1755263256"},{"product_id":"marion","title":"Marion","description":"\u003cp\u003eChristopher Anderson began photographing his family in a completely organic way. His images were simply the natural action of a partner trying to stop time, and not let one moment of his relationships slip by.\u003c\/p\u003e\n\u003cp\u003eAs a photographer, he had never thought of his personal photographs as ‘work’ until photographer Tim Hetherington saw a photograph Anderson had made of his wife Marion and said, “this is about the passing of time”. Anderson began to see his personal images in a new light, and over time, would come to feel that these photographs were, in fact, his life’s work. Anderson's new book, Marion, marks the closing chapter of a trilogy of books that chronicles their lives, and loves in beautiful depth over the course of their partnership.\u003c\/p\u003e\n\u003cp\u003e\"It was never some sort of creative exercise. The photographs are expressions of love…a record of that expression. They are more than memories.\" - Christopher Anderson\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003ePublished —November 2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN — 978-1-913288-50-1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePages — 160\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover — Cloth Flexibound \/ Silk Screened\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSize — 22x25cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Christopher Anderson","offers":[{"title":"Default Title","offer_id":42412659638421,"sku":"marion","price":200.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2251\/9465\/files\/mmmw.jpg?v=1753279749"},{"product_id":"monument","title":"Monument (1st)","description":"\u003cp\u003e\u003cspan class=\"s1\"\u003eTrent Parke’s landmark publication Monument is a portal through which we bear witness to the disintegration of the universe over 294 expertly printed pages. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe monolithic publication is painstakingly hand-bound in leather bearing totemic coordinates to the planet Earth, blind stamped end sheets, black sprayed edges, and a loose steel plaque, that once removed, leaves the volume without language. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Trent Parke moved to Sydney from a small Australian country town, his first impression was of the sheer volume of people. He would grab his camera and go out exploring at every opportunity, fascinated by the endless processions. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAt rush hour, he watched as the city workers moved in a great mass, all walking the great conveyor belt of life. In a trance-like state, treading the same path day after day, week after week, year after year… clocking on, clocking off, all under the spell of the city. Parke would stand on the edge of the wave, on the outside of a new world, looking in. As if watching a newly discovered species. \u003cbr\u003e \u003cbr\u003e “At night I would watch the eclipse of moths, millions of them constantly circling the lights of the Sydney Harbour Bridge. At the same time, on my balcony, a miniature performance played out around the light above my head. The moths inevitably and without resistance were drawn to their ultimate demise. Spiralling out of control, like small spaceships caught in a tractor beam. Lured and blinded by the bright white light, they were taken out by hundreds of birds swooping in to snatch them from the air… spiders sat waiting on their webs. Built with precise coordinates across the face of the lights, they captured the hapless tiny creatures that slipped through. If any miraculously managed to survive that onslaught, they continued on, driven towards the flame, intoxicated by those burning hot light globes. Then suddenly an electrical charge in the still air. A small puff of smoke. Gone. Instant disintegration of a life form. Another blip in the universe. 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Using a large format camera and careful analogue techniques, Pia finds an entrancing, mystical presence in her daily experiences amidst the forests, fields, and rivers of her home. Pia’s hazy images, filled with light aberrations and glowing spectres, leave us suspended mid-ritual. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFlowers Drink the River spans the first two years of Pia’s gender transition, as she photographs her small community in rural Maine, and the beauty and terror of living as a trans woman in a small right-wing town. Scenes of moths and floating spider silk, mud-drenched bodies intertwining, a burning house, girlfriends pissing on each other from tree branches, nocturnal animals, and euphoric rituals adorn flash-soaked landscapes. 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